The Plot: In post-ice age North America, an Inuit
boy kills a bear as revenge for his brother's death and is transformed into a bear himself.
The Songs: "Great Spirits,"
"Transformation," "Welcome," "On My Way,"
"No Way Out (Theme from Brother Bear),"
"Look Through My Eyes," "No Way Out (Phil Collins Version)"
A Little History: Production on Brother Bear began as early as 1989, when directors Aaron Blaise
and Robert Walker concocted an original story with elements from Native American
transformation myths and Shakespeare's King
Lear. In 1997, IGN, Digital Media FX and Ain't It Cool News reported the film's title as, simply, Bears. It is the third and final film produced entirely by the Feature
Animation studio at Disney-MGM Studios in Orlando, Florida (see also Mulan and Lilo & Stitch; the studio closed its doors in March of 2004 to
make way for computer animated features). Though traditionally animated, Brother Bear makes extensive use of CG
imagery during its salmon run and caribou stampede sequences. The movie's "painterly
naturalism" was inspired by the works of Albert Bierstadt (Disney CEO
Michael Eisner lent his personal collection of Bierstadt's paintings to the
production crew as research). The filmmakers visited the Holgate and Exit
Glaciers at Kenai Fjords National Park, where they studied mountain ranges and inactive
volcanoes, and attended two months of outdoor painting classes at Disney's
Fort Wilderness Resort in Lake Buena Vista, Florida, where they studied live
bears. Renowned author/preservationist Timothy Treadwell (Grizzly Man) was also brought in to assist with the project. Act One of the film is presented in a standard 1.85:1 aspect
ratio, to mimic Kenai's sheltered view of the world; for Acts Two and Three,
the screen expands to a 2.35:1 CinemaScope ratio, with brighter colors and fluid camera
movement. Several characters were altered significantly during pre-production:
Denahi was initially written as Kenai's father (later changed to Kenai's
brother), and Kenai was partnered with an elder bear named Grizz (voiced by
Michael Clark Duncan, who appears in the final film as Tug). Rutt and Tuke,
voiced by Rick Moranis and Dave Thomas, are moose-ified versions of their Bob and Doug McKenzie characters from SCTV;
for the German-language version of Brother
Bear, the moose are named Benny and Björn after members of the Swedish pop
group ABBA. The film opened November 1, 2003, and grossed over $85 million in
the U.S. and another $165 million abroad; its home video release earned an
additional $169 million in sales and rentals. Brother Bear was nominated for Best Animated Feature Film at the 2004
Academy Awards, but lost to Finding Nemo.
How It Broke New
Ground: The first
animated feature to switch from a standard 1.75:1 aspect ratio to a wider, 2.35:1
CinemaScope ratio (after Kenai is turned into a bear). For theatrical
presentations the film was pillar boxed at 1.75:1 inside the 2.35:1 frame. The Simpsons Movie and Disney's Enchanted would later try a similar
trick in 2007.
How It Holds Up
Today: Empire Online
says here that "if in doubt, Disney often returns to films about cuddly
animals," and really, who could blame them, after a string of not-so
greatest hits (The Emperor's New Groove,
Atlantis, Treasure Planet) failed to catch on with the public? For all
their good intentions, though, Brother
Bear is far from the rip-roaring success its makers probably intended.
It's a virtual smorgasbord of Disney titles old and new: a dash of The Lion King here, a sprinkle of Bambi there, plus a slathering of Phil
Collins songs on the soundtrack, à la Tarzan.
But the tone is so saccharine and sticky sweet you may feel it at the pit of
your stomach, like eating too much of something you just know isn't good for you. Characters
are mostly reduced to stereotypes (the kind old granny, the noble brother, the cute and cuddly bear cub), and any attempt at seriousness all but drains
out of the movie around the 24- minute mark, when the animals suddenly take on
human idiosyncrasies (because - get it? - they're
just like us!). Brother Bear may
be Disney's 44th Animated Classic, but it feels like their 144th - a pandering, not at all
surprising callback to their once illustrious past. But it sure means well.
Grade: C
__________
Hang on, Disney fans – there's more to come. Need to play catch up? Click on the following for: Snow White And The Seven Dwarfs, Pinocchio, Fantasia, Dumbo, Bambi, Saludos Amigos, The Three Caballeros, Make Mine Music, Fun And Fancy Free, Melody Time, The Adventures Of Ichabod And Mr. Toad, Cinderella, Alice In Wonderland, Peter Pan, Lady And The Tramp, Sleeping Beauty, One Hundred And One Dalmatians, The Sword In The Stone, The Jungle Book, The AristoCats, Robin Hood, The Many Adventures Of Winnie The Pooh, The Rescuers, The Fox And The Hound, The Black Cauldron, The Great Mouse Detective, Oliver & Company, The Little Mermaid, The Rescuers Down Under, Beauty And The Beast, Aladdin, The Lion King, Pocahontas, The Hunchback Of Notre Dame, Hercules, Mulan, Tarzan, Fantasia/ 2000, Dinosaur, The Emperor's New Groove, Atlantis: The Lost Empire, Lilo & Stitch, and Treasure Planet. Please comment! Let me know what you think!
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