BLOGGER TEMPLATES AND TWITTER BACKGROUNDS
by D.W. Lundberg

Showing posts with label PAUL GREENGRASS. Show all posts
Showing posts with label PAUL GREENGRASS. Show all posts

Monday, September 6, 2010

... FOR "THE BEST FILMS OF THE DECADE" - PART 7

Genre:

HISTORICAL DRAMA


Defined:

Biographies. Period pieces. Inspiring true stories of triumph over adversity. There was much to admire about the Historical Dramas of 2000-2009, from the Oscar-winning star performances as larger-than-life personas (Julia Roberts as Erin Brockovich, Charlize Theron as serial killer Aileen Wuornos in Monster, Jamie Foxx in Ray) to the blood-soaked spectacle of atrocities old (Pearl Harbor, The Pianist) and new (Hotel Rwanda, World Trade Center). While filmmakers have long been notorious for altering events to suit Dramatic purposes, the Historical film should nevertheless stick as close to the facts as possible, as well as provide us a vivid recreation of times past. Done right, these films not only show us where we've been, but also what we've yet to become.


The Top Five:

5. The Aviator (Martin Scorsese, 2004)

Biopics aren't typically my thing. Too much sentimentality, I suppose, or maybe it's the self-congratulatory attempt to shoehorn an entire life's story into feature length. Martin Scorsese, though, takes a more creative approach with his bustling Howard Hughes epic, narrowing his focus to the impressive 20-year span in which the billionaire industrialist burned brightest, from shooting Hell's Angels at 22, to his successful test flight of the "Spruce Goose" H-4 Hercules in 1947. Scorsese also seems to be having great fun replicating the Hollywood of yesteryear, right down to the two- and three-shade Technicolor film stock of the period (most noticeable in the grass where Hughes and Cate-Blanchett-as-Katherine-Hepburn play golf, or the fields where Hughes crashes his H-1 Racer). And while Leonardo DiCaprio initially seems too boyish to carry the entire movie on his shoulders, his performance actually gains in stature the older his character gets. It's a mirror for DiCaprio's own career trajectory, of a prodigy whose talents extend far beyond his years.

Tuesday, February 9, 2010

... FOR "THE BEST FILMS OF THE DECADE" - PART 1

Genre: 

ACTION/ADVENTURE

Defined: 

Bullets. Chases. Unadulterated escapism. A film typically defined by fast editing, booming stereo soundtrack, and the characters' insistence on resolving their conflicts via gun battles, fist fights, sword fights, and the like. The Action/ Adventure films of 2000-2009 (for better or worse) saw the return of Indiana Jones after a 19-year hiatus, introduced us to new action heroes like Dwayne "The Rock" Johnson and Vin Diesel, ushered in the martial arts film as mainstream cinema, and even dared to ask, "Are you not entertained?" The most satisfying Action films provide the expected thrills (and then some) without insulting the audience's intelligence.

The Top Five: 
 
5. Banlieue 13 (District 13) (Pierre Morel, 2004)

No other film this decade featured more exciting stunt work. This canny French import showcased the art of parkour (dictionary-defined as an "athletic activity in which the participant seeks to move quickly and fluidly through an area... by surmounting obstacles such as walls and railings and leaping across open spaces"), and it blew a lot of people's minds. Stuntmen-turned- movie-stars Cyril Raffaelli and David Belle leap across rooftops, scale walls, defy gravity – and all without the aid of wires or CGI. Yes, the acting's hokey. And the plot's a virtual rip-off of Escape From New York and 48 HRS., to just about every buddy flick ever made. But if the genre's sole purpose is to get your pulse racing, to wow you with physical action, then this movie's fluid and eye-popping action sequences are hard to beat. They truly are one of a kind.