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by D.W. Lundberg

Showing posts with label JOHN LASSETER. Show all posts
Showing posts with label JOHN LASSETER. Show all posts

Monday, October 21, 2013

... FOR "WALT DISNEY'S ANIMATED FIFTY (PART 49 - 'THE PRINCESS AND THE FROG' EDITION)"

Our continuing foray into Disney's fifty official Animated Classics. As always, don't hesitate to share your thoughts/memories/complaints in the comments section below. Links to previous entries are also included below.

Title: The Princess And The Frog (2009; based on the novel The Frog Princess by E. D. Baker, and "The Frog Prince" by the Brothers Grimm)

The Plot: In 1920s New Orleans, a waitress who dreams of opening a restaurant and a pampered, arrogant prince are magically transformed into frogs by a voodoo doctor's curse.

The Songs: "Down In New Orleans," "Almost There," "Friends On The Other Side," "When We're Human," "Gonna Take You There," "Ma Belle Evangeline," "Dig A Little Deeper," "Never Knew I Needed" (performed by Ne-Yo)

Thursday, August 29, 2013

... FOR "WALT DISNEY'S ANIMATED FIFTY (PART 48 - 'BOLT' EDITION)"

Our continuing foray into Disney's fifty official Animated Classics. As always, don't hesitate to share your thoughts/memories/complaints in the comments section below. Links to previous entries are also included below.

Title: Bolt (2007)

The Plot: The canine star of a weekly sci-fi TV show, convinced that his superpowers are real, embarks on a cross-country journey to find his "kidnapped" master, with a stray cat and a hamster in tow.

The Songs: "I Thought I Lost You" (performed by Miley Cyrus & John Travolta), "Barking At The Moon" (performed by Jenny Lewis)

Wednesday, August 21, 2013

... FOR "WALT DISNEY'S ANIMATED FIFTY (PART 47 - 'MEET THE ROBINSONS' EDITION)"

Our continuing foray into Disney's fifty official Animated Classics. As always, don't hesitate to share your thoughts/memories/complaints in the comments section below. Links to previous entries are also included below.

Title: Meet The Robinsons (2007; based on the book A Day With Wilbur Robinson by William Joyce)

The Plot: A 12-year-old orphan with a knack for invention is whisked away on a time-travelling adventure, during which he meets wacky new characters and attempts to correct the mistakes of his past.


The Songs: "Another Believer" (performed by Rufus Wainwright), "Where Is Your Heart At?" and "Give Me The Simple Life" (performed by Jamie Cullum), "Little Wonders" (performed by Rob Thomas), "The Future Has Arrived" (performed by The All-American Rejects), "The Motion Waltz (Emotional Commotion)" (performed by Rufus Wainwright)

Thursday, January 17, 2013

... FOR "MONDO MOVIE MADNESS" (OR, "THE MODERN-DAY MOVIE POSTER AS ART")

If you've never been acquainted with the Mondo Gallery in Austin, TX, then you'd do well to acquaint yourself. An offshoot of the Alamo Drafthouse Cinema chain (est. 1997), the Gallery enlists world-class artists to re-create posters for movies old and new - and then sells them (if you can nab 'em) online, at $35 to $100 a pop. (Posters are created as one-offs and sell out fast, via Facebook and Twitter feeds; buyers often re- sell their purchases on eBay, but at three times the original cost.)

Styles range from comic book designs to collages. And each and every one is a knockout - clever re- imaginings of popular (and not-so popular) films, unburdened by studio mandates or movie star egos. For brevity's sake, I've decided to share some of my favorites below, but really, if you consider yourself a serious film buff, or at least have a moment to spare, then it's worth perusing their extensive back catalogue at www.mondoarchive.com. Click on each poster below to make bigger:

Thursday, September 22, 2011

... FOR "WALT DISNEY'S ANIMATED FIFTY (PART 24 - 'THE FOX AND THE HOUND' EDITION)"

My continuing foray into Disney's fifty official Animated Classics. As always, don't hesitate to share your thoughts/memories/complaints in the comments section below. Links to previous entries have also been included below.

Title: The Fox And The Hound (1981; based on the novel by Daniel P. Mannix)

The Plot: An adopted fox cub and a coonhound puppy become fast friends, but their upbringing forces them to become natural enemies.

The Songs: "Best Of Friends," "Lack Of Education," "A Huntin' Man," "Appreciate The Lady," "Goodbye May Seem Forever"

Wednesday, June 29, 2011

... FOR "UNFAIR EXPECTATIONS AND THE CRITICS' CONSENSUS ON 'CARS 2' (COMPARATIVELY SPEAKING)"

Holy crap – have you seen the aggregate rating for Pixar's Cars 2 on Rotten Tomatoes? As of this writing, it's currently holding at 33%! That means, out of all the critics who've seen the movie, only 1/3 actually liked the movie enough to recommend it. For a Pixar movie, that's unheard of – unprecedented even. Especially when you look at their Rotten track record: Toy Story (100%), A Bug's Life (91%), Toy Story 2 (100%), Monsters Inc. (95%), Finding Nemo (98%), The Incredibles (97%), Cars (74%), Ratatouille (96%), WALL-E (96%), Up (98%), and Toy Story 3 (99%).

Look at that list again. Did you notice anything else peculiar about it? That's right: Out of all the Pixar films to grace our theater screens, Cars and Cars 2 rank the lowest. Frankly, this is baffling to me. What's everyone's problem with Cars? If you read any of those reviews, the general consensus seems to be that no one buys that particular world. I get that. A world populated by talking anthropomorphic vehicles? Sports cars, passenger cars, trucks, helicopters, airplanes, bugs? Are you serious? Sure, I can buy walking, talking toys and insects and fish and monsters in my closet, but vehicles with mouths and eyes and hopes and dreams? That's a little too much to grasp, thank you very much. Who "manufactures" these cars anyway? Where are all the people? Who built the highways? Who carved all those structures in the mountains? Help, my brain is melting!

Wednesday, February 23, 2011

... FOR "HOLLYWOOD'S BIGGEST NIGHT - PART 2" (aka "OSCAR 2011") - UPDATED!

UPDATE: Checking around for Oscar results on the Internet this morning, it's great to see that Inception won so many technical awards last night, especially the award for Best Cinematography. Wally Pfister's been working with Christopher Nolan for a good long while now (since Memento), and he outdoes himself each time out.

If you have any thoughts on the telecast last night, please comment below - what you liked, disliked, what you think I missed out on, etc. (Because if there's one thing I love, it's living vicariously through others.) Oh, and the winners have been marked with a star for good behavior below.


Well, it's Oscar time again, folks - everybody's favorite night of the year. And on Sunday, February 27th, we'll all gather again, to see our favorite celebrities stroll down that red carpet, take their seats in Los Angeles' world-famous Kodak Theater, and enjoy an evening's worth of scintillating entertainment as they anxiously await those five magic words: "And the Oscar goes to..." It's almost too much to soak in. The glitz! The glamour! The pure intoxication of it all!

End of sarcasm. You already know how I feel about this, so there's no point in griping about it all over again. Instead (if you care), I thought I'd offer a few choice thoughts on the nominations this year. As always, feel free to voice your own opinion in the comments below.

Friday, June 25, 2010

... FOR "SEQUEL-ITIS AND 'TOY STORY 3'"

So. Toy Story 3. I've been letting it sink in for the past few days now, and here's what I think: as a sequel to my favorite animated franchise, it doesn't quite soar to the same heights as its predecessors (the writing's a tad lazy on a couple of fronts), but nevertheless acts as a lovely and moving coda to the series that began Pixar's cinematic legacy.

The original Toy Story – and I believe this just as strongly now as I did when the movie was released back in 1995, the year I graduated from high school (!) – is this generation's Snow White And The Seven Dwarfs. Sure, we knew (computer) animation had been around for a while, but we didn't know it could do thatIt also came as a firm announcement of the Pixar model: story first, everything else second. (Any movie can wow you with its technique, acting or special effects, but if the story's a bust there's really no point.)