... FOR "SANTA SAID WHAT?!!" (OR, "QUIZ TIME, PART 7") - UPDATED: WITH ANSWERS!

Well, it's Christmas time again, folks! And by way of tradition (as well as an excuse for being lazy), I thought I'd offer up another yuletide quiz challenge in the spirit of the season. You know, something to mull over while you're kicking back, enjoying your egg nog, hangin' with the family, waiting for the big guy and his reindeer to make their annual stop-over...

Speaking of the Big Guy... how well do you know your Santa Claus movies? The Jolly One's been around for about as long as anyone can remember, yet rarely, if ever, does he take center stage of his own story. Below are a handful of Santa-centric titles and a snippet of dialogue from each, spoken by ol' Kris Kringle himself (or, conversely, an imposter thereof). Can you match them together, for goodness sake? Don't be a Grinch now...

... FOR "FRANCHISE FACE-OFFS (PART 11 - 'RUSH HOUR' EDITION)"

Brett Ratner is a chameleon. This might explain why the self-promoting, self-aggrandizing director - whose films have amassed a collective $1 billion plus worldwide - has been able to slip into so many franchises without ruffling the feathers of fans. He did it in 2002, with Red Dragon, part three of Dino De Laurentiis' Hannibal Lecter series starring Anthony Hopkins. Then in 2006, he took over the ­X-Men franchise with The Last Stand, the most successful entry in Fox's genre-defining ensemble superhero saga.

(On the non-franchise front, you could view his 2000 holiday hit The Family Man as an unofficial remake of Capra's It's A Wonderful Life, or November's Tower Heist as an attempt to copy the con-artists-as-heroes cool of Soderbergh's Ocean's Eleven. The list goes on.)

Whether this qualifies him as an A-list copycat or a B-grade Hollywood hack is up for debate. The fact is, Ratner copies the style of his predecessors so well, you'd be hard-pressed to tell that they were made by a different director, unless you were acutely aware of the behind-the-scenes dramas that plagued their productions.

... FOR "WALT DISNEY'S ANIMATED FIFTY (PART 32 - 'THE LION KING' EDITION)"

My continuing foray into Disney's fifty official Animated Classics. As always, don't hesitate to share your thoughts/memories/complaints in the comments section below. Links to previous entries have also been included below.

Title: The Lion King (1994)

The Plot: A lion cub is exiled by his evil uncle, but grows up to reclaim his rightful place as king.

The Songs: "Circle Of Life," "I Just Can't Wait To Be King," "Be Prepared," "Hakuna Matata," "Can You Feel The Love Tonight," "Can You Feel The Love Tonight (End Title)"

... FOR "FRANCHISE FACE-OFFS (PART 10 - 'MEN IN BLACK' EDITION)"

Question: How many people actually realize that 1997's Men In Black is based on a comic book? No doubt you saw the commercials and you bought your ticket and laughed at all the jokes and the witty special effects, and you probably own the VHS or the DVD or the Blu-Ray, but did you ever stop to think that you were, in fact, watching a Comic Book Movie?

Maybe, maybe not. Originally published by Marvel/ Aircel Comics as a three-issue mini-series in 1990, Lowell Cunningham's The Men In Black was optioned by producers Walter F. Parkes and Laurie MacDonald in 1992. The project went through various incarnations (and a director or two) before finally settling at Columbia Pictures, under the tutelage of Barry Sonnenfeld (The Addams Family, Get Shorty) and executive producer Steven Spielberg. When it opened on July 2nd, 1997, MIB was met with all the fanfare and fervor of your typical summer blockbuster. It grossed $587 million in theaters worldwide (Columbia's highest-grossing movie up to that point), and cemented Will Smith's reputation as a bona fide box office star. 
 
Yet rarely, if ever, will you find MIB counted among the most successful Comic Book Movies ever made. Why is this? Perhaps because of the way it was marketed – as the Next Will Smith-Versus-Aliens Summer Blockbuster (after Independence Day). Or perhaps in the wake of Batman & Robin (released to critical and commercial disdain just two weeks earlier), the filmmakers thought it best to distance themselves from their genre roots as far as possible.

... FOR "WALT DISNEY'S ANIMATED FIFTY (PART 31 - 'ALADDIN' EDITION)"

My continuing foray into Disney's fifty official Animated Classics. As always, don't hesitate to share your thoughts/memories/complaints in the comments section below. Links to previous entries have also been included below.

Title: Aladdin (1992; based on the Arabian folktale "Aladdin And The Magic Lamp," from One Thousand And One Nights)

The Plot: A street urchin uses a magic lamp to win the heart of a princess.

The Songs: "Arabian Nights," "One Jump Ahead," "Friend Like Me," "A Whole New World," "Prince Ali," "Prince Ali (Reprise)" "A Whole New World (End Title)"